Legendary Jazz Diva
Shaheila binti Abdul Majid (born 3 January 1965 in Kuala Lumpur, Malaysia), popularly known as Sheila Majid is a Malaysian female pop singer who is best known for her 1986 song, "Sinaran". Her musical prowess especially in the genre of jazz music has led her to be dubbed as "Malaysia's Queen of Jazz".
Sheila Majid was born in Kuala Lumpur, Malaysia on 3 January 1965. Her mother is a native of Kuala Lumpur of Mandailing descent whose great-great grandfather was a friend of Yap Ah Loy. Her father was a Javanese, whose great grandfather had settled in Malaya after surviving a shipwreck en route to Java from a pilgrimage in Mecca. Her paternal lineage can be traced back to Raden Hussein, brother of Raden Hassan, the first Muslim sultan of Demak; both were princes of Probowo Wijoyo V of Majapahit.
She attended schools at Convent Goodshepherd Kindergarten, Methodist Girls Primary School and Methodist Girls Secondary School, all in Kuala Lumpur, Malaysia.
In 1989, she was married to Roslan Aziz, who was the producer of her previous albums. They have two children from this marriage, Wan Nur Khaleda (born 1991) and Megat Abdul Majid (born 1993), but has since divorced him in 1996. Her daughter, Wan Nur Khaleda also follows her mother’s footsteps as a singer, though more into hip hop music under the stage name of 'Kayda'.
Achievements and career highlights
1985: Debut album Dimensi Baru
1986: Second album Emosi locally in Malaysia and also in Indonesia.
1987: First non-native to win Indonesia's BASF award for Best Female R&B Artist.
1988: Third studio album Warna
* Wins America's International Star Search Award for Best Female Vocalist.
* Performed at the Tokyo Music Festival.
* First Malaysian artist to break into Japan with her albums Emosi and Warna, as well as her single "Sinaran"
* Fourth studio album Legenda
1991: Legenda concert at Stadium Negara in Kuala Lumpur.
1996: First Malaysian artist to stage a solo show in London's West End at the Royalty Theatre Performs at the Ronnie Scott's Jazz Club in London.
* Performed at the Dewan Filharmonik Petronas in Kuala Lumpur to commomerate her fifteenth anniversary in the music industry.
* Sixth studio album Ku Mohon is named Best Pop Album and its title track won Song Of The Year at Malaysia's Anugerah Industri Muzik.
* Invited to represent Malaysia in Jakarta, Indonesia for a concert entitled Diva S.E.A.
2004: Seventh album Cinta Kita, produced by Warner Music Indonesia, topped the Indonesian pop charts
2006: Re-release of Legenda XV XX album under EMI Malaysia.
2012: Received "Anugerah Khas Planet Muzik" (Notable Award) in the 11th Anugerah Planet Muzik at the Max Pavilion, Singapore in recognition of her 27 years in music industry.
2013: Regional brand ambassador for Reckitt Benckiser's Strepsils since 1 February.
2017: First new studio album in 13 years Boneka released.
Starlet in the making
Article from the Sun daily by Yee Jie Min (posted on 14 March 2016)
SWARNA Naidu is truly a jane of all trades. The Astro SuperSport host, who is also the third runner-up in last year’s Miss Universe Malaysia pageant, holds a diploma in hotel management and has been modelling since she was 12 years old.
“I have always been into sports, and being on Astro SuperSport has upped my game because I have to know my stuff, which is great. Everyone here is so passionate about what they do that it is not just another job; it is very motivating. There is a lot of room to put your personality into, which I love,” quipped the 18-year-old.
The multitalented lass describes herself as an arty person, and it shows with her background in (classical Indian dance) Bharatanatyam and ballet. She even had a segment to showcase her vocal prowess on hurr. tv, a Malaysian online lifestyle channel and video-streaming platform.
“I personally don’t think you can be good at anything you don’t want to do. I never asked for any of this. “And I am spiritual so I do think the universe works itself out for you. You just need to have conviction in what you want, and it will work out as it has for me,” said the Penangite.
What is it like to be a female sports host?
I have big shoes to fill because they expect you to be something. It is tough, but it pushes me to do well. At the same time, you get a lot of respect being a female in the industry.
Name a challenge of the job, and your approach to overcome it.
There are a lot of impromptu interviews with important people. They keep me on my toes, but I like that I’m always learning. It’s like sitting for an exam – it doesn’t work if you study only the night before. You have to keep revising. Knowing a little about the person makes me feel more comfortable so I know where to go and what to ask.
Who is your sports icon?
Sachin Tendulkar, an Indian cricketer. He used to live really far from the training grounds, but every morning he made it there because he’s so passionate about the sport. I think he is the best cricket player in Indian history. Cricket is one of my first loves, and he really shaped my character.
Tell us about your beauty pageant days.
I liked it, but I wouldn’t do it again. It was very stressful, and there was a lot of criticism the whole time over things that I cannot change. Getting fourth place was good, and honestly, I’m glad I didn’t win first place. But I am glad I did it and I am lucky to get a lot of opportunities from it. It really was a launching pad, and I am happy doing what I am doing now.
What are the key lessons that you picked up from your experiences?
It is important to stay grounded, especially when you are young and getting into the industry. A lot of people tend to lose track of where they are going. Know your values, and never sell yourself short.
When you are young, you want to try everything to get yourself out there but it is not all that simple. You have to be careful in this industry. If you know you have what it takes then you shouldn’t stop trying.
Lastly, care to share your ultimate dream?
I plan to make it huge in Hollywood; to be the next Priyanka Chopra. I want to act and sing. I just need to make the right decisions and take the right steps to get there. Hopefully, I can do it with a little polishing.
It is my dream to be an accomplished actress. Believe it or not, I have not tried acting, but I want to be an actress ever since I can remember. I like to throw myself into my art and acting is perfect as you get to be different persons.
Meaning of Swarna: Gold in Sanskrit.
Favourite make-up products: Laura Mercier’s Translucent Loose Setting Powder and Kat Von D’s Tattoo Liner.
Favourite phrase: Tat Tvam Asi (Sanskrit) meaning thou art that or you are that.
Flying over the radar
Article from the Sun daily by Peony Chin (posted on 7 March 2017)
ACTOR Alvin Chong was once an opportunist. At a young age, the Penang-born started working in fast food joints to earn extra pocket money. One day, he found out that he could earn more per hour by singing in cafes.
“That completely blew my mind, then I started looking for those singing gigs,” Chong recollected.
Together with a few friends, he joined the Astro Star Quest singing competition when he moved to Kuala Lumpur to further his tertiary education. He got into the fifth placing, and later on received an offer from a recording company where he would begin his career in show business.
Tell us about your venture into acting.
Back then, I was really reluctant to do anything else other than singing. My company would ask me to try hosting, or acting in dramas, films, and commercials, but I was reluctant. I emerged from a singing competition – the only thing I knew how to do was sing! I didn’t think I was capable of hosting a programme or acting. I never went for any classes and I had zero experience in acting. That was why I suffered for the first few years. I didn’t get a lot of jobs, because frankly speaking, I wasn’t really that good in singing either. I wasn’t properly trained.
After several years, I realised that I cannot depend on just singing, so I started accepting cameo roles in films to get a hang of things. Somehow I managed to find interest in it, and from there I ventured into films and commercials. I even did a radio hosting gig for a while, talking about K-pop.
How did you land the role of Johan in Suri Hati Mr. Pilot?
I started venturing into the Malay drama scene last year. Before that, many of my peers told me to try my hand at the entertainment scene in Taiwan or China. But I told them, how could I survive out there if I cannot survive in the Malaysian entertainment scene, in a country I’m familiar with and where my family and friends are? I knew nobody in China.
I told myself that I needed to have a stable fan base in Malaysia before I venture overseas. So even if I don’t make it out there, I can always return home. Hence, for the past year I have been meeting directors and crews, to convey my interest to try out in the Malay drama sector.
One of my goals is to break down the walls between races, especially with all that’s going on in our country right now. I wanted people to look at us as Malaysian artistes instead of at our races. I’m not sure if I’ll be able to achieve that, but joining the cast of Suri Hati Mr. Pilot was a good start. My role in the drama is very small; I had roughly 30 scenes. But somehow, people liked my character.
Have you thought of exploring the opportunities outside of showbiz?
I think in a few more years, I will go further into entrepreneurship. I don’t want to just sing and act. But I can’t deny that I love performing onstage and the attention I get. However, in the long run, I know for a fact that I would want to settle down, build a family and spend time with them. As an artiste, you can’t predict your free time. When jobs come, you have to take it. Otherwise, you don’t get paid. That’s the catch.
How is entrepreneurship treating you so far?
For starters, I’ve released merchandise in line with my character in Suri Hati Mr Pilot. My character Johan is known as the ‘love doctor’, hence I worked with a friend to create a fragrance called Dr. Love Fragrance. I am also my own talent manager, and I hope to sign more talents in the coming years.
Currently watching: The Originals(TV series).
All-time favourite movie: The Blind Side (2009).
Actor he looks up to: Johnny Depp.
Preferred music genre: Pop.
A role he wants to portray: “A paralysed character who’s unable to talk; similar to Stephen Hawking.”
Persevering in passion
Article from the Sun daily by Peony Chin (posted on 10 January 2017)
AS a self-professed nerd, Emily Kong never thought she would make a living in the entertainment industry. Not until the producer of Meteor Garden fame Jovi Theng picked her out from a church choir group and told her that she could sing.
Kong came from a family who stressed on academic excellence, and she was indeed a star student who finished her ACCA (Association of Chartered Certified Accountants) studies faster than her peers. However, after fervently praying, she decided to join the entertainment industry at the age of 20.
Other than singing, she was the lead actress in Love Endures, a Chinese movie produced by Theng. She has since joined a new entertainment agency and will be starring opposite JC Chee in upcoming movie Lamentations of the Wind.
You said that you were dubious when Jovi Theng told you that you could sing. Why was that?
It was funny because we weren’t actually singing; we were just dancing and clapping with one microphone. When he told me that I could sing pretty well, I laughed because I wondered if he even heard me. I like singing, but deep down I don’t think I can sing. I was not confident, and I had stage fright as well. But I figured that I needed a breakthrough, so I gave it a try.
Did your family support your decision to join the entertainment industry?
My parents discouraged me, but I already made my decision and so, went with the flow. They were also unhappy that I did not make something out of my ACCA qualifications, instead jumping into an industry without relevant experience and from which I wouldn’t generate as much income.
This is why – even though I want to stay in the industry – reality kicks in sometimes and I wonder if I should give up and do something else. In the past few years, I’ve done a lot of side jobs such as modelling for online boutiques, selling clothes at the morning market, promoting for Chinese medicine halls, etc. I have done so many things just to survive in the entertainment industry.
Why do you choose to stay in the industry despite the many hardships?
There’s a Chinese saying that goes, “reality would consume your dreams”, which happened to a lot of my friends. They were actors but because they couldn’t survive in the environment, they looked for office jobs and told themselves that it’s okay because it’s only temporary. But they ended up staying there and giving up on their dreams. I don’t want that to happen to me; I want to hold on to what I believe in.
Which do you prefer: singing or acting?
To be honest, I enjoy singing but I love acting. I feel more comfortable acting. I remember locking myself in my room as a kid, and reenacting scenes of a particular actor in a movie. I felt a sense of satisfaction doing that; it’s weird but that was how I entertained myself.
Tell us more about Lamentations of the Wind.
The movie will be shot at Kenting in Taiwan, and Malaysia beginning March. It’s about an intelligent and tech-savvy six-year-old girl who’s searching for her biological father, a young and flirtatious man – played by JC Chee – who doesn’t know of her existence. I will play the role of her mother.
We’re still working on the script but that’s the gist of the movie, which is about discouraging people from undergoing abortions. I will also be singing and producing the movie’s soundtrack.
Movie that inspires her most: Titanic (1997).
Favourite actor: Tom Hanks.
Hidden talent: Drawing.
Pre-acting ritual: Listening to music.
Junk food for her soul
Article from the Sun daily by Peony Chin (posted on 15 November 2016)
JOCELYN TAN, or better known by her stage moniker Jocelyn Stemilyn, may have been around in the local scene for a little over a year but she has always been surrounded by music her entire life. Growing up near a sugar cane plantation in Perlis, Tan’s family played multiple instruments.
“My mother sang, and even my then domestic helper played the guitar!” quipped Tan, who also sang, played music and danced in church.
Then, she left for Kuala Lumpur to pursue her theatre studies in University of Malaya. It was here that she joined its music club, Yao Lan Shou Music Composing Unit and started singing and composing music.
She debuted last year with her song Junk Food, produced by Dae Kim, with whom she frequently performs. Tan, who veers towards electronica and ambient music, recently released her new single, Pedicure.
Can you recall the first song you ever wrote?
I was 15 years old when I realised I could write songs. I’ve forgotten the title, but it was a song of gratitude towards my friend. It was for a very close friend of mine who left the country to study. She was my closest companion in school and I felt very sad. Hence, I had the urge to write a song for her. I recorded and sent it to her.
How did studying theatre in University of Malaya open your eyes to the world of performing arts?
Those three years of my life were interesting. Perhaps we’ve watched too many Hollywood flicks or Broadway musicals, so we had a certain expectation towards performing arts. But in Malaysia, it’s way tougher – it’s not always like Broadway.
Sometimes, you have to do really raw, stripped down, and even traditional plays. In a way, it broadened my horizon because I always thought I wanted to be a musical actress, but then I realised that performing is not just about singing and acting. It’s a lot of other things – you need to know how to work the props, lighting, and all the technical bits.
How does your background in theatre influence your music today?
It helps in the way I express myself, especially during live performances. People have commented that when I perform, I have a certain persona with one song and a different one with another.
What’s your opinion on the local independent music industry, as a newcomer?
More and more people are doing music independently. There’s definitely more variety, more shows and it’s more interesting; there are new faces all the time. So far, I feel that everyone is very supportive; we usually talk to each other at gigs and have a good time. The circle is still really small and everybody knows everybody. But I’m glad that it’s expanding. People are also more open about cross-genre music.
What has been your most memorable performance to date?
When I performed with Dae Kim at Findars’ ELECTRIC DREAMS back in August. It was a small event, but the attendees were very relaxed and open-minded. When I jokingly asked everyone to stand up for my song, they actually did! They moved along to my song Pedicure and stuck around chatting with each other after the show. It was a very heart-warming show which we don’t get very often, to be honest.
Favourite coffee beans: Kuda Mas.
Musician you look up to: Little Dragon.
A purchase she’d make with her first million: A house by the beach.
Favourite beats per minute (bpm): 120.
No love songs for her
Article from the Sun daily by Jessica Chua (posted on 27 September 2016)
TAKAHARA Suiko aka The Venopian Solitude’s first attempt at writing happened when she was griping about her brother on her blog using metaphors. She was only 14 when she learnt how to mask her words. Little did she know, she was paving the way for songwriting.
“It’s a horrible way to start writing, but it taught me how to be creative,” said the 26-year-old.
Despite her growing interest in music, Takahara took up electronic engineering in Japan to appease her parents. But as she was about to finish her diploma, she concluded that studying engineering became a chore, and she just wasn’t cut out for it.
So Takahara returned to Malaysia to focus on creating music – producing a number of EPs along the way, and even released her first full-length album Hikayat Perawan Majnun in 2014. The singer-songwriter dabbles in various sounds and genres, but one thing’s for sure: she doesn’t write love songs.
“I tried to but I couldn’t. It’s just too personal. Even if I did, I wouldn’t put it out,” she said.
Takahara recently hit another milestone as she’s the first Malaysian artiste selected – among thousands from over 100 countries – to attend the esteemed Red Bull Music Academy in Montreal this September.
“I'm trying not to let the pressure of being the first Malaysian alumna get to me because it will definitely distract me from learning as much as I can, and to some extent, basking in Montreal while I'm there,” she divulged.
Could you recall the beginning of your affair with music?
I started composing music in standard two or three. I wanted to take up piano but my mother didn’t allow it. So I started making melodies using my father’s phone instead. That was when phones had monotone sounds you can play with. I never had any exposure to musical instruments except for the recorder in school. So it was either that or the phone.
How would you describe your music?
It’s really loud and annoying. I say that because I don’t know what kind of style it is. It changes from song to song. If you don’t agree with that and you happen to like it, then good for you. I scream a lot when I perform live – it’s necessary to convey the emotion that was written for that part of the lyrics or song.
What is music to you?
Music is something as natural as breathing and eating. I don’t pride myself in doing music because it’s like having pride in eating and breathing. Everyone does that. But it comes naturally to me that it doesn’t become a thing that I focus on. Like eating and brushing my teeth afterwards, music is something that I have to do, whether I like it or not.
The best piece of advice you’ve ever received.
There are several but the one that I really remember is by Fynn Jamal. She told me to make my own path, and that I cannot follow other people’s paths because I’m different. While everyone else walks down a certain path, it was actually easier for me to make something of my own because the other paths were already crowded. To me, that was a revelation.
What is your main goal?
I would like to experience a black hole. I guess that’s the metaphor of my dream; to understand something that I don’t understand, and to understand as many things as I can.
Where do you want to see this industry go?
All fields have to collaborate to make every field relevant to each other, which can foster appreciation. People are starting to appreciate some form of art now, like a nice-looking tudung or a locally made T-shirt. To me, that direction will head towards performing arts as well. For example, Yuna incorporated a silat artist and ballerina in her recent music video. But right now, it’s too early to say whether or not it’ll work. It will take time. But what matters is that we keep doing it.
Favourite time of the day: When she goes to bed.
Childhood ambition: Doctor.
Currently on repeat: Yuna’s Unrequited Love.
Where to find her: Takahara Suiko (YouTube), The Venopian Solitude (Bandcamp)
Into the unknown
Article from the Sun daily by Joyce Ang (posted on 30 August 2016)
MILLENNIALS are known as an idealistic generation, whereby entrepreneurial dreams and artistic desires are goals that could be achieved – provided that they are willing to pay the price. Hence, "stepping outside one's comfort zone" is a clichéd truth that resonates with this generation of dreamers.
Sam Lopez happens to be one of them.
Although he has written a good amount of songs, the Ipoh native found that he has become far too contented in Penang, where he was pursuing a bachelor's degree in mass communication.
"It was a really comfortable place, and my music stagnated for a while. That made me question whether there was more to my music than just the songs I had and my ability to play," the 23-year-old explained.
With that in mind, Lopez decided to put his studies on hold to move to Kuala Lumpur in July 2015, in hopes of exploring his talent.
Would you call yourself a risk taker?
No, I'm the last person to take a risk. I can go all 'YOLO' (you only live once) in terms of going on road trips and things like these, but the worst of a risk I'd take would be calculated. If you were to ask me then the possibilities of moving away to do music, I would never have thought of it.
Does that mean the eventual move was a calculated risk?
I calculated, but what actually happened was not what I expected, especially in the first few months after I got here. I thought I have counted all the costs required to live here, but I was wrong. As a result, I had to adjust a lot, and I did not have paid gigs until later that year. At that point, I was really down. I doubted my decision to move out to KL and reassessed my choices, but I eventually decided to stop thinking about it and run with it. That was a very humbling process where I picked myself back up and tried putting myself in a place where I could learn and grow.
Could you share with us some of the lessons from that time?
I learnt that I cannot rely on people's affirmations for validation and encouragement, and that everything comes from where the heart and passion lie. Also, that what I'm able to do comes from God and from finding His validation from within. When I came to this point, I realised that what seemed to be a risk before did not seem to be that much of a risk anymore. That was when it became easier to just run with things.
Where do you find inspiration?
I find inspiration in almost everything. I tend to question things and look at things from various perspectives, especially when it comes to life. I always believe that life is more than just about me – doing everyday things, and simply going through different phases – because to me, there always has to be an added value in what we do.
Being born and raised in a Christian home, I would also question my faith even as a child. These questions motivate me to seek out answers, and in those processes, I get inspired to write about a life that is larger than life.
However, I really started writing songs because of a girl that I was in love with.
What are you proudest of?
My two brothers! Also, I would say that I'm very proud that I stepped out. Had I not, I would just be in my own little cycle in Penang, and totally miss out on this adventure and what God has for me here. Like I said, I usually would calculate everything in my head before doing anything, but I'm glad that I threw that aside and took that step anyway.
Article from the Sun daily by Yee Jie Min (posted on 31 March 2016)
URIAH See burst into the entertainment scene with a musical background in opera vocals, and the ability to play the piano, violin and guitar.
See has his mother to thank for his current recognitions as the winner of the 2014 Astro Star Quest and TVB International Chinese New Talent Singing Championship. When he was a kid, she would – with the help of a rotan too – pressure him to practise music at least an hour every day. But in retrospect, he is grateful that she recognised his talents and pushed him to excel.
Today, at only 21 years old, See is not only recognised as a musical artiste, but a face in several print and TV commercials, as well as two travel programmes.
Have you always wanted to be in the entertainment scene?
Before I joined Astro Star Quest, I was hesitant about joining the entertainment industry. I didn't know that it would take me this far. I prayed a lot, that if God wanted me to go this direction, to give me a sign – and I was crowned champion.
When I joined TVB's competition, I didn't know how it was even possible because the other participants were so good, but I prayed again. Lo and behold, I was champion.
What do you think was your winning point?
I don't think many realise this but song choice is crucial. A lot of people pick songs they like to sing, and fair enough if you can sing it well. It is really important to choose a song you can sing well and perform. You need to know what you can sing, and what you are good at.
The songs I picked have a nice verse and melody, and are in a comfortable range for me. I am a baritone which is considered the lower range of tones, so I had to pick songs that don't hit high notes yet are powerful. For example, John Legend's All of Me is mid-range, has a nice verse and a chorus that doesn't go too high. It also has a nice falsetto which I can pull off.
How does singing differ from hosting and acting for advertisements?
I can really be myself when singing, but when hosting or doing advertisements you have to cater to the theme of the show or be in character, yet be yourself in certain ways. Singing is powerful as you don't have to say anything; you convince people through music and lyrics, and by singing well.
As a public figure, whatever you're doing, people are watching. So I think it is really important to be yourself, do your best and do the right thing. Pretending to be someone else would mean you have to always maintain an image, and that would be hard for me. I'm okay as long as I can be myself.
Tell us about your song, Gei Ai (Give Love).
Seeing the world now in chaos, I hope this song can bring a little bit of hope to the world. It is mellow but thoughtful. I originally wrote it in English, but I wanted it in Chinese so I asked (a composer) KS Chong to translate and write the lyrics in Chinese.
Share with us some goals in your musical career.
Hopefully I can make better songs. I wrote quite a lot of songs, but Gei Ai is the one I felt is different and is 'the one'. My goal is to influence and inspire people to do better. It matters how far I go but at the end of the day, that is the person I want to become.
Songs for the soul
Article from the Sun daily by Joyce Ang (posted on 11 Dec 2015)
FROM learning the piano at the tender age of three to graduating from Berklee College of Music in Boston, Massachusetts, music has always been a prominent part of Najwa Mahiaddin’s life.
“Ever since I was little, I have always been intrigued by music. It always makes me feel something; it was a way for me to express myself,” said the contemporary writing and production graduate.
Now 29, the songstress has performed on many renowned stages, and received some of the most prestigious awards in the Malaysian music industry.
However, even with all that she’s achieved so far, what matters most to her is the impact of her music on people.
How did you get started in this industry?
The very first time I got a gig was actually through Mia Palencia. I was still studying when I attended one of her workshops, where I got to sing one of my originals.
After the performance, she approached me and told me that she liked my performance, and invited me to be featured on one of her projects, the Bedroom Musician series. That was my first show as a singer-songwriter playing my own music.
It was a nice feeling, just me on the keyboard. Then, Reza Salleh, one of the pioneers in the Malaysian singer-songwriter scene, came up to me and offered me another gig.
From there, I was offered more gigs on various stages and at different venues, including No Black Tie.
Describe an event that shaped who you are today.
There was a time when I was going through a lot of things that I was unhappy about, and I was using music to make me feel better.
Ironically, however, I did not write many sad songs at that time. That was when I knew for sure that I wanted to do music badly.
The moment my parents gave me the green light to pursue music was a turning point in my life because music has finally become more than just a hobby. I was enrolled into music school, and it was then that I felt like I was where I was meant to be.
From that day forth, I cannot think of anything else that I would rather be doing. Had that not happened, I would have been really depressed.
Can you share with us some of your accomplishments?
As an artiste, I want to give people a moment away from what they are going through and to give them hope despite everything, as well as to help people heal from past experiences.
For example, every time I perform After The Rain, a lot of people come up to tell me that the song resonated with them. To me, accomplishments are not just about winning awards. To be able to touch lives already makes me feel like a winner.
Where do you see yourself in five years?
I hope to travel more. I hope to spread my music to more places, experience different cultures, and to collaborate with people from all around the globe – a privilege I had while I was at Berklee, without all the travelling.
I would also like to bring traditional Malaysian music to other parts of the world, and educate the rest of the world about the music that we have here.
Tell us more about your latest song, "Sama Saja"?
The song is about how we are all different in culture, opinion, et cetera, but essentially the same at the end of the day. It’s the first time that people were invited to watch and be part of the video shoot, so I’m very excited about it.
Ultimate comfort food: Mum’s cooking.
Favourite festive season: “I’m Malaysian, so it’s hard to choose one. I would say all of the festive seasons!”
Favourite musicians: Lalah Hathaway, Emily King, Little Dragon.
Favourite movies: Grease (1978) and Mary Poppins (1964).
Article from the Sun daily by Rachel Law (posted on 12 May 2015)
MIDWAY through our conversation, Elizabeth Tan Su Mei (pix) was approached by two male fans for a photography opportunity. We were seated at a relatively obscure corner of the coffee shop so it seemed bizarre how they could recognise her from behind her back! The 22-year-old said she welcomes interaction with fans – they are to her a "gift and blessing" – but going about on her off days doesn't spare her from public attention.
"Wherever I go, people stare at me – but they don't come up to me. And I can hear them whispering my name. It doesn't bother me that much but I lose privacy. Sometimes I go out in t-shirts, shorts, glasses on, hair uncombed and a face free from make-up and I still get recognised," said the Melawati local.
The lack of privacy is something A-list celebrities struggle getting used to, what more Tan, who has garnered so much attention and opportunities in a year and a half since her folksy take on Joe Flizzow's Havoc went viral. From singing in church to serenading on YouTube, the statuesque songstress now has a career in the local Malay music scene, delivering singles under record label Paranormal Talents.
"It sounds clichéd but I don't think I could do much without my management company. My fans too have been so supportive, I wouldn't be where I am today without them. Just recently I had the first meeting with my fan club. There were balloons, goodie bags, a cake with my face on it and a table full of presents – and it's not even my birthday! I was really touched," she gushed.
How much creative liberty do you have when it comes to composing music?
According to my current contract, I get to write four out of 10 songs. I don't mind because my recording label is good at writing pop so I trust them to compose the rest. I'll sing whatever they ask me to sing as long as it's not too out of my comfort zone. My music taste is more indie so I don't really know how to write for mass listeners.
Can you tell us more about your upcoming film Usop Wilcha – Menghonjang Makhluk Muzium?
It's like a Malaysian version of Night at the Museum and it's coming out in August. I play the heroine who brings in figurines of vampires, werewolves and Draculas into the Malaysian museum, which come alive at night and fight each other. I've only acted in high school so it was a new experience; there was a lot of waiting. We would shoot at night from 8 to 7 in the morning for two weeks in a row! It's not tiring when you're acting but waiting – being awake and on call – drains you out.
What else can your fans look forward to this year?
Two more singles definitely. We didn't expect the response to Knock Knock to be this huge. We released it last September and currently it's still on high rotation and on radio top charts, it's really crazy. We're waiting for it to die down a little but we plan to release the second single by late May. Hopefully all the singles we'll be doing will make up an album, perhaps by the end of 2016? I'm also dubbing for Transformers: Age of Extinction in Malay.
What do you have to say about the stereotype that gen-Y kids are spoilt and entitled?
It's true in the sense we don't realise how good we have it but it's not really our fault. We grew up in a technological era where everything is so available to us and it's not like our parents can keep us in a cage. It's important for generation-Y to find out who they are as a person and not conform to social media, what people say they should be. We only see the highlights of other people's lives on social media then we hate our own lives but it's not about that. Don't live life for fame or money.